Canon EOS 7D video samples hit the web

Monday, September 28, 2009

We've already seen some video from a pre-production Canon EOS 7D, but it looks like it's hitting stores now, and this is the first video we've seen from a final retail unit. It's genuinely impressive, especially since filmmaker Dan Chung says most of it was shot at 1600 to 6400 ISO, but it's important to realize that he was also using some seriously expensive lenses, a specialized video viewfinder, a wide-angle mattebox to reduce lens flare, and a separate external microphone for audio. Was that enough responsible skepticism for you? Good, because we also think the 7D looks like it's going to rock, and we can't wait to try one out. Video after the break, along with a shot of Dan's video rig.

Canon 7D movie - Another night in Beijing from Dan Chung on Vimeo.

Better Outdoor Portraits Tips

Thursday, July 23, 2009

This is an easy technique I read about a long time ago, and it works really well. I use it a lot when shooting weddings and portraits.

Outdoor portraits can often end up with a washed-out and boring sky when you set your camera to correctly expose the person’s face. But if you set the exposure to capture the sky perfectly, you end up with a very dark or even silhouetted person. We all know you can use fill flash outdoors to correct this, but even then the exposure can be a bit unpredictable if left up to the camera.

The technique I like to use is:

  • take a meter reading from the sky
  • set your camera to Manual mode
  • set the aperture according to the depth of field you want
  • set your shutter speed to correctly expose the sky (based on the earlier reading)
  • turn your flash on and set it to E-TTL (or whatever the equivalent is on non-Canon cameras)
You may need to tweak your aperture setting (or ISO, if shooting digital) if the required shutter speed is faster than your flash sync speed.

The manual exposure gives perfect exposure for the sky, whether it’s a deep blue with white fluffy clouds, a sunset, a looming storm, or whatever. The flash will light your subject perfectly, giving a nicely balanced overall picture. You might need to experiment a little to determine whether you need to use flash exposure compensation - I get good results from my EOS 40D/580ex combo without any compensation.

One problem that might occur is that your on-camera flash can make the subject look a bit flat, giving the photo a ‘fake’ overall look. A diffuser like the Lumiquest Big Bounce can soften the edges of shadows and make your lighting look a lot more natural, especially if you can combine it with an off-camera flash cord. Even better would be a mobile studio light with a softbox or umbrella. Just make sure you get the lighting direction from the flash right so that it doesn’t contradict the direction of the lighting in the background - that can look awful!